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Deja Vu
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From the brand
Track Listings
1 | Carry On |
2 | Teach Your Children |
3 | Almost Cut My Hair (1994 Remaster) |
4 | Helpless (1994 Remaster) |
5 | Woodstock (1994 Remaster) |
6 | Deja Vu (1994 Remaster) |
7 | Our House |
8 | 4 + 20 (1994 Remaster) |
9 | Country Girl (1994 Remaster) |
10 | Everybody I Love You (1994 Remaster) |
Editorial Reviews
Product Description
One of rock's all time classics! The hits Teach Your Children; Our House; Woodstock join Almost Cut My Hair; Helpless; Country Girl; 4+20 , and more.
Amazon.com
Less than a year after the release of CSN's groundbreaking debut, the group returned with Stephen Stills's former Buffalo Springfield cohort/rival Neil Young augmenting the threesome. The result is a less concentrated but more kinetic creation; Young swims through the celestial harmonies of rock's best barbershop trio like a fly in consommé. While somewhat dated ("Almost Cut My Hair"? Wait a while, David, it'll fall out), Deju Vu is teeming with early '70s FM staples, including "Helpless," "Teach Your Children," and "Our House." --Steven Stolder
Product details
- Is Discontinued By Manufacturer : No
- Language : English
- Product Dimensions : 5.55 x 4.92 x 0.47 inches; 3.25 ounces
- Manufacturer : Atlantic Off Roster
- Item model number : 2014875
- Original Release Date : 1994
- Date First Available : December 7, 2006
- Label : Atlantic Off Roster
- ASIN : B000002J0L
- Country of Origin : USA
- Number of discs : 1
- Best Sellers Rank: #2,718 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #9 in Classic Rock Supergroups
- #37 in Classic Psychedelic Rock
- #79 in Folk (CDs & Vinyl)
- Customer Reviews:
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What about "Deja Vu," their second album? Did Crosby, Stills and Nash really need Neil Young? Or was it the other way around? A better question, perhaps, is did the addition of Young improve the second album? I think so. Thanks to Young's influence, "Deja Vu" was edgier, more hard rocking, and less formulaic, an agreeable blending of song styles coupled with the group's trademark airtight harmonies, spiked with slashing guitars. And the songs? Better. Did Graham Nash ever write a better tune than the countryish "Teach Your Children"? Did Crosby ever equal the sustained brilliance of his jazz-influenced "Deja Vu"? Not everyone was overjoyed with Young's "Country Girl" suite, but I've always found it compelling. It's a miniature symphony with words, with tension in the first two movements -- "Whiskey Boot Hill" and "Down, Down, Down" -- followed by a satisfying release of tension in the finale -- "Country Girl" (I Think You're Pretty).
While "Deja Vu" doesn't open quite as strongly as "Crosby, Stills and Nash," the opening cut "Carry On" by Stephen Stills is a strong tune in its own right, with soaring harmonies and a nice mix of acoustic and electric guitars. Then there's the band's rock-n-roll treatment of Joni Mitchell's "Woodstock" featuring more electric guitars. And Crosby's equally rocking "Almost Cut My Hair" with Stills` and Young's blazing guitars stealing the spotlight, as in their Springfield days. Hot stuff. The only tune that sounds out of place is Nash's "Our House."
Bottom line: with or without Neil Young, Crosby, Stills and Nash was a larger-than life cultural phenomenon that transcended mere criticism, like Elvis and the Beatles. The band promised more than they could possibly deliver. Staying together proved impossible, but they did leave us with two outstanding albums. When they reunited years later, to record that long-anticipated third studio album, the magic was sadly missing. Their first two albums, therefore, stand as a glowing testimony of what once was, and would never be again.