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Eat A Peach Remastered
Live, Remastered
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From the brand
Track Listings
1 | Ain't Wastin' Time No More |
2 | Les Brers In A Minor |
3 | Melissa |
4 | Mountain Jam |
5 | One Way Out |
6 | Trouble No More |
7 | Stand Back |
8 | Blue Sky |
9 | Little Martha |
Editorial Reviews
Product description
CD
Amazon.com
Having firmly established themselves as "The Grateful Dead of the South" via their enormously successful 1971 Live at the Fillmore East double album, the Allman Brothers had just begun work on a new studio collection when slide guitarist Duane Allman died in a motorcycle accident. Undaunted, the group rallied together and completed Eat a Peach, which, via inclusion of the 34-minute-plus "Mountain Jam," blossomed into a double LP. While keyboardist-singer Gregg Allman shone on tracks like Sonny Boy Williamson's "One Way Out" and his own "Melissa," it was second guitarist Dickey Betts who came out from under the departed Allman's shadow with his lead vocal on "Blue Sky" and his incendiary playing throughout. --Billy Altman
Review
The sweetest fruit here-transformations of Sonny Boy Williamson's "One Way Out" and Muddy Waters's "Trouble No More"-comes from that fraternal 1971 Fillmore show, which also yields one long yawn, the thirty-five-minute "Mountain Jam." The three selections recorded after Duane Allman's death are of little appeal to blues fans. -- © Frank John Hadley 1993 -- From Grove Press Guide to Blues on CD
Product details
- Is Discontinued By Manufacturer : No
- Language : English
- Product Dimensions : 4.96 x 5.59 x 0.39 inches; 3.25 ounces
- Manufacturer : Capricorn
- Item model number : 2138960
- Original Release Date : 1997
- Date First Available : February 9, 2007
- Label : Capricorn
- ASIN : B000003CMC
- Country of Origin : USA
- Number of discs : 1
- Best Sellers Rank: #2,180 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #4 in Slide Guitar Blues
- #5 in Jam Bands (CDs & Vinyl)
- #15 in Classic Southern Rock
- Customer Reviews:
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Top reviews
Top reviews from the United States
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Loved every minute of it.
I saw a Gregg Allman live special on tv (obviously it was taped before he past in 2017) and it evoked
so much to me.
Finally got where the term "jam band" got it's beginning nick-name.
And many other things (all good).
Opening with the post-Duane tracks, EAT A PEACH demonstrates from its very first notes that there was - and is - far more to the ABB than one amazing guitarist. Brother Gregg's "Ain't Wastin' Time No More," though written before Duane's crash, is an effective and all-too-poignant rumination on uprushing mortality with excellent playing from the whole quintet. Dickey Betts, tossed into the unenviable position of sole guitar player in rock's most celebrated two-guitar band, more than holds his own here, contributing top-notch picking on every track - most notably his own thunderstorm instrumental, "Les Brers in A Minor," which starts out as a grinding tribute to amplification before morphing into a Santana-esque Latin funk workout liberally spiced with impressive displays of chops all around. "Melissa," a beautiful old ballad co-written by Gregg which the Brothers had first recorded with their previous group the Hourglass, is by contrast epitomally delicate and genuinely moving; Dickey's ethereal lead is a dream.
Next up: thirty-three minutes of "Mountain Jam," longest of the ABB's many long onstage workouts, the Duane-drenched final third of which is at least the equal of anything on FILLMORE and makes me wonder why that album wasn't simply released as a triple, with this LP-length track included, in the first place. Also recorded during the Fillmore East engagement, "One Way Out" and "Trouble No More," which the Brothers had first tackled on their 1969 debut album, are solid blues jams in the classic Allmans vein.
Finally, there are the last three studio tunes featuring Duane, which with fitting irony point to yet more new directions this band might well have explored had it only had the opportunity. "Stand Back," a bouncing number from Gregg, would've been equally at home on IDLEWILD SOUTH; but Dickey's sublime country ballad "Blue Sky," with its brilliant solos from both guitarists, and Duane's only ABB composition, the brief dobro/guitar duet "Little Martha," mine and master new territory and suggest that a more varied range of material, from an expanded group of songwriters, would have kept this band firmly at the front of the pack through all those gigs that might have been.
More than thirty years later, the original ABB's handful of recordings remain one of the great listening experiences to be had anywhere. EAT A PEACH and AT FILLMORE EAST are the very best of the great, which really leaves nothing to say.
Now here are some more words a couple of months later. I now think that the second disc here sounds BETTER than the original Fillmore show. The mix is absolutely superb. Perhaps Duane and Dickey are playing a little more loosely here than on the Fillmore CD, but the overall sound here is just perfect, especially on headphones. This Deluxe Edition of Eat A Peach would definitely be on my Desert Island list. It has almost everything Fillmore has, plus the great studio songs they recorded just before and just after Duane's tragic death. I cannot recommend this CD enough - absolutely worth every penny. Listen and enjoy, rejoice and cry, it's all here. Duane Allman was a musical genius. And his band was the best this country ever produced. There's never been anything like him, or them, since.
Top reviews from other countries
今回音が良くなっている事と紙ジャケに引かれ購入。
この時期のライブは格好良く最高です。