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Concert For George
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Track Listings
1 | Sarve Sham |
2 | Your Eyes (Sitar Solo) - Anoushka Shankar |
3 | The Inner Light - Anoushka Shankar |
4 | Arpan - Anoushka Shankar |
5 | I Want To Tell You - Jeff Lynne |
6 | If I Needed Someone - Eric Clapton |
7 | Old Brown Shoe - Gary Brooker |
8 | Give Me Love (Give Me Piece On Earth) - Jeff Lynne |
9 | Beware Of Darkness - Eric Clapton |
10 | Here Comes The Sun - Joe Brown |
11 | That's The Way It Goes - Joe Brown |
12 | Taxman - Tom Petty & the Heartbreakers |
13 | I Need You - Tom Petty & the Heartbreakers |
14 | Handle with Care - Tom Petty & the Heartbreakers with Jeff Lynne and Dhani Harrison |
15 | Isn't It A Pity - Billy Preston |
16 | Photograph - Ringo Starr |
17 | Honey Don't - Ringo Starr |
18 | For You Blue - Paul McCartney |
19 | Something - Paul McCartney & Eric Clapton |
20 | All Things Must Pass - Paul McCartney |
21 | While My Guitar Gently Weeps - Paul McCartney & Eric Clapton |
22 | My Sweet Lord - Billy Preston |
23 | Wah Wah - Eric Clapton |
24 | I'll See You In My Dreams - Joe Brown |
Editorial Reviews
CD > POPULAR MUSIC > ROCK
Product details
- Is Discontinued By Manufacturer : No
- Language : English
- Product Dimensions : 4.92 x 5.51 x 0.39 inches; 2.88 ounces
- Manufacturer : Warner Strat. Mkt.
- Date First Available : October 22, 2006
- Label : Warner Strat. Mkt.
- ASIN : B0000E6I1J
- Number of discs : 2
- Best Sellers Rank: #30,087 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #617 in Movie Soundtracks (CDs & Vinyl)
- #702 in Folk Rock (CDs & Vinyl)
- #951 in Pop Singer-Songwriters
- Customer Reviews:
Customer reviews
4.7 out of 5 stars
4.7 out of 5
341 global ratings
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Top reviews from the United States
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Reviewed in the United States on March 9, 2024
Reviewed in the United States on February 6, 2004
Thank you, Eric Clapton, for giving us the blessing of this beautiful and moving concert in honor of George. I grew up listening to the Beatles, and always had a particular affection for George and Ringo, the two 'stabilizing' members of the band. I always appreciated George's quiet consideration before speaking, and his thoughtfulness and the fundamental goodness of his heart. When George died, I was deeply saddened like many millions of others, and thought that no tribute or monument could ever do him justice.
I was wrong. The Concert for George, primarily organized by his long time friend Eric Clapton, provided just the catharsis that his friends and fans needed. The CD was hard for me to listen to the first time as I wanted to hear George singing. Eric said it best in an interview, though, when he explained that at first rehearsals were tough to get through, but the rehearsals and show provided a mechanism of grieving to all his personal friends. That explained it brilliantly: They had time to work through it, while the listener did not. (Who says rock stars can't be truly insightful?) The musicians obviously worked very hard to get this just right and they succeeded brilliantly: this CD beautifully captures their efforts.
There are two CDs in the set, one is the Indian music segment, which was a good commercial decision (although George liked Indian music, and I respect that, I would bet than most of the purchasers of this CD are less enthusiastic about it) and the other is the concert in the original order, minus some material to make it fit on the CD. Ringo was a standout with "Photograph", which is still the best Ringo song, and a song that Ringo and George wrote together, and "Honey Don't", an old Carl Perkins song that George loved. Eric Clapton was wonderful on everything he performed on; I particularly liked his pseudo-duet with Paul on "Something", and with the whole ensemble on "Wah Wah", which had breathtaking percussion, and, of course, "While My Guitar Gently Weeps", a song veritably made for him.
Without question though, the greatest performance in the show was by Joe Brown, a major institution in early British rock, but today relatively unknown in the US. Joe's main set started with a hauntingly beautiful rendition of "Here Comes the Sun", and then went to "That's The Way It Goes", a song I have always loved, but never got the acclaim it deserved. Joe also closed the show with the dreamy "I'll See You in My Dreams", and he sang it like he meant it. I would be remiss if I didn't mention the beautiful "Isn't It a Pity" by the multitalented Billy Preston.
There were a couple of weaker performances present, though. None that were overtly bad, but they certainly were not up to the standards of the rest of the show. The primary offenders here were Tom Petty and the Heartbreakers, who are normally great, but came across as lifeless and flat. I also found Jeff Lynne's voice to sound a bit tired, especially when he sang a verse of "Wah Wah" and to a lesser degree on "The Inner Light." I (really) hate to say it, but I also found Paul's version of "For You Blue" a bit dull. I think it's interesting that Paul picked a song of George's from "Let It Be", an album where tempers ran high and contentiousness prevailed; perhaps that has clouded my vision a bit on the subject.
For any fan of George's this is a must. I never thought that I could like this CD as much as I do since I knew I would miss hearing George on the songs. After a few listenings, though, I now feel happy when I hear it, and have found it to be a fitting tribute to a great man. While we will always miss you, George, I will always be grateful for this beautiful and befitting tribute.
I'll see you in my dreams.
I was wrong. The Concert for George, primarily organized by his long time friend Eric Clapton, provided just the catharsis that his friends and fans needed. The CD was hard for me to listen to the first time as I wanted to hear George singing. Eric said it best in an interview, though, when he explained that at first rehearsals were tough to get through, but the rehearsals and show provided a mechanism of grieving to all his personal friends. That explained it brilliantly: They had time to work through it, while the listener did not. (Who says rock stars can't be truly insightful?) The musicians obviously worked very hard to get this just right and they succeeded brilliantly: this CD beautifully captures their efforts.
There are two CDs in the set, one is the Indian music segment, which was a good commercial decision (although George liked Indian music, and I respect that, I would bet than most of the purchasers of this CD are less enthusiastic about it) and the other is the concert in the original order, minus some material to make it fit on the CD. Ringo was a standout with "Photograph", which is still the best Ringo song, and a song that Ringo and George wrote together, and "Honey Don't", an old Carl Perkins song that George loved. Eric Clapton was wonderful on everything he performed on; I particularly liked his pseudo-duet with Paul on "Something", and with the whole ensemble on "Wah Wah", which had breathtaking percussion, and, of course, "While My Guitar Gently Weeps", a song veritably made for him.
Without question though, the greatest performance in the show was by Joe Brown, a major institution in early British rock, but today relatively unknown in the US. Joe's main set started with a hauntingly beautiful rendition of "Here Comes the Sun", and then went to "That's The Way It Goes", a song I have always loved, but never got the acclaim it deserved. Joe also closed the show with the dreamy "I'll See You in My Dreams", and he sang it like he meant it. I would be remiss if I didn't mention the beautiful "Isn't It a Pity" by the multitalented Billy Preston.
There were a couple of weaker performances present, though. None that were overtly bad, but they certainly were not up to the standards of the rest of the show. The primary offenders here were Tom Petty and the Heartbreakers, who are normally great, but came across as lifeless and flat. I also found Jeff Lynne's voice to sound a bit tired, especially when he sang a verse of "Wah Wah" and to a lesser degree on "The Inner Light." I (really) hate to say it, but I also found Paul's version of "For You Blue" a bit dull. I think it's interesting that Paul picked a song of George's from "Let It Be", an album where tempers ran high and contentiousness prevailed; perhaps that has clouded my vision a bit on the subject.
For any fan of George's this is a must. I never thought that I could like this CD as much as I do since I knew I would miss hearing George on the songs. After a few listenings, though, I now feel happy when I hear it, and have found it to be a fitting tribute to a great man. While we will always miss you, George, I will always be grateful for this beautiful and befitting tribute.
I'll see you in my dreams.
Reviewed in the United States on November 20, 2003
From the opening track, Sarve Shaam with its wonderful intonation of bells, sarod and hypnotic voices and Eric Clapton's introduction until its conclusion on the second disc with Joe Brown's wonderful "I'll See You In My Dreams," this set is as wonderful a remembrance any man could hope for from his friends and loved ones.
Olivia makes it clear in the notes that George, the quiet one, was in fact full of life, pursuing his marriage and family with the same intensity and respect that he treated his career, all the while retaining the playfulness that set he and his Liverpool colleagues off from everyone else ever in rock. When you consider that this man is one of the 4 reasons anybody ever wanted to be a rock musician, you might think you were approaching the sacred. In fact, as is clear from his friends, he is someone they went to to play ukeleles with as well as to worship or garden with.
He was a whole man. His music in his Beatles, solo, Travelling Wilbury and final days was always about life led on the ground, in the material world, yet not bound by it. It was Harrison who first saw the difference between Haight Ashbury and enlightnement. It was Harrison who realized his tremendous good fortune could be harnessed to work remarkably good things for less fortunate people. He respected what his craft could accomplish and was a selfless, ego-free spirit who could race cars, produce silly movies and prove loyal to family and friends. He was Everyman who had come into good fortune and knew not to take it for granted.
As to the music herein: it is just GREAT! His mates came to this project with great love and respect for their fallen comrade. Ravi and Anoushka Shankar get the project off and running with a couple of sitar pieces and a terrific rendition of "The Inner Light". One is reminded of the start of THE CONCERT FOR BANGLADESH, and its tremendous setting of a tone of consideration. Much the same effect is produced here. It anchors you in the spiritual world that Harrison embraced.
The second side essays his pop work. Wilbury buddy Lynne kicks things off with "I Want To Tell You," and the CD rocks from that point on. The emotional centerpiece is Ringo's "Photograph." Tough to listen to that without getting misty. It is absolutely the best Ringo's ever done that. Paul kicks in with a very bright and emotionally uplifting "Something" that comes from the heart, as well as the uke. He returns with Clapton to blisteringly deliver "While My Guitar," nearly as transcendent as "Bangla Desh's" version. Tom Petty is just the right touch, especially on "Handle With Care," handled with Dhani Harrison, as sure a chip off the old bloke as you might get. Dad must have been beaming! Billy Preston ecstatically revels in "My Sweet Lord," then Clapton burns it up again on "Wah Wah," which was a reference to him anyway, before Joe Brown sends it all off lovingly.
The son of a Catholic busdriver and Nurse in Liverpool who often said he was sure he would never have amounted to anything had it not been for The Beatles, obviously took from his parents a sense of finding a spirituality to guide his life. That he touched so many of his colleagues as all of us as always and forever being the genuine article says all there needs to be said about the importance of living in the material world with a sense of faith.
Olivia makes it clear in the notes that George, the quiet one, was in fact full of life, pursuing his marriage and family with the same intensity and respect that he treated his career, all the while retaining the playfulness that set he and his Liverpool colleagues off from everyone else ever in rock. When you consider that this man is one of the 4 reasons anybody ever wanted to be a rock musician, you might think you were approaching the sacred. In fact, as is clear from his friends, he is someone they went to to play ukeleles with as well as to worship or garden with.
He was a whole man. His music in his Beatles, solo, Travelling Wilbury and final days was always about life led on the ground, in the material world, yet not bound by it. It was Harrison who first saw the difference between Haight Ashbury and enlightnement. It was Harrison who realized his tremendous good fortune could be harnessed to work remarkably good things for less fortunate people. He respected what his craft could accomplish and was a selfless, ego-free spirit who could race cars, produce silly movies and prove loyal to family and friends. He was Everyman who had come into good fortune and knew not to take it for granted.
As to the music herein: it is just GREAT! His mates came to this project with great love and respect for their fallen comrade. Ravi and Anoushka Shankar get the project off and running with a couple of sitar pieces and a terrific rendition of "The Inner Light". One is reminded of the start of THE CONCERT FOR BANGLADESH, and its tremendous setting of a tone of consideration. Much the same effect is produced here. It anchors you in the spiritual world that Harrison embraced.
The second side essays his pop work. Wilbury buddy Lynne kicks things off with "I Want To Tell You," and the CD rocks from that point on. The emotional centerpiece is Ringo's "Photograph." Tough to listen to that without getting misty. It is absolutely the best Ringo's ever done that. Paul kicks in with a very bright and emotionally uplifting "Something" that comes from the heart, as well as the uke. He returns with Clapton to blisteringly deliver "While My Guitar," nearly as transcendent as "Bangla Desh's" version. Tom Petty is just the right touch, especially on "Handle With Care," handled with Dhani Harrison, as sure a chip off the old bloke as you might get. Dad must have been beaming! Billy Preston ecstatically revels in "My Sweet Lord," then Clapton burns it up again on "Wah Wah," which was a reference to him anyway, before Joe Brown sends it all off lovingly.
The son of a Catholic busdriver and Nurse in Liverpool who often said he was sure he would never have amounted to anything had it not been for The Beatles, obviously took from his parents a sense of finding a spirituality to guide his life. That he touched so many of his colleagues as all of us as always and forever being the genuine article says all there needs to be said about the importance of living in the material world with a sense of faith.
Top reviews from other countries
Freidun Taravosh
5.0 out of 5 stars
5 I like many projects George Harrison has been involved in
Reviewed in the United Kingdom on November 26, 2016
rating 4.5
I like many projects George Harrison has been involved in. I remember myself seeing this when it was shown on Swedish Television, it was around the same time that I bought his début album Wonderwall Music and sophomore album Electronic Sound back then it was all produced by Harrison himself, who was eager and passionate about his projects. This 2-CD set produced by Jeff Lynne is a fitting tribute to George Harrison's musical contrbiution and to his outlook of the whole world. It is hard to rate the album of course but My main focus is on Disc one. Here we have a traditonal supplication two pieces composed by Ravi Shankar, and the inctricate, delicate “The Inner Light”. Jeff Lynne The Producer , is first to pick up the Mic, a does so with equal amount of effort and ease in a way that only he can do. The whole album is very good, but it is the Sublime nature of disc one that really submits a relaxing spiritual and ethereal feel to the listener in a way that the hit songs of Disc two never does in I had not thought that much about "The Inner Light", before that much maybe because for it was a none album single b-side, or maybe because it was from 1968, it was not from "My Beatles era" (1960-1962)
I hope you really will enjoy the cleanliness smooth composition of this whole production under Jeff Lynne's modest tewardship, a true gentle man. I do not know who picked out The Inner Light to be performed by Jeff this evening but The Performance is so great and so timid, modest at the same time. This shows first of the quality of the performer Jeff Lynne, his ability to take any performing role and deliever always at a 100% with the same sense for committment as with his own albums.
Those of you that got this album for Lynnes contributions will be pleased to see that his Cohorts Ryan Ulyete and Marc Mann are at it again with mixing and editing, As they did to great effect on the 12th ELO album Zoom (2001) and it's companion live DVD. Marc Mann plays guitar. It is also worth pointing out how gallantly George Harrison did take part in that said albums recording sessions, and it is to me the definite ELO album and with true touching state of the art of the production, such things are also important when one make an album of such eclectic character.They get it in order, with a special sense of warmth and a dominant feature being the mildness of the presentation all the way.
So it is now established that Ravi Shankar was a tremendous composer, artist even part of that delicate ethereal feel is in every single note is shown of here on his pieces as conducted by his daughter Anoushka.
I bought a boxed set,year or two ago Ravi Shankars 'Six classic Albums because Dave Crosby lead me in to this thing, if you have noticed with all back information provided from Fifth Dimension sessions, of how they listened to Shankar on one side of the tape and John Coltrane on the other, in there tour bus. Both Crosby and McGuinn were vocal about having Indian Raga rythmns and yantras in their sound without actually using Indian instruments, that is pretty brash there - that will I say and some of these efforts have helped other people here in the west to discover this kind of music also in its' purest form. When The Beatles started using sitar in 1965 on “This Bird Has Flown” it was mostely a curious artifact, quite like how Tremeloes used it on Proud Mary (Live at Cabaret) 1969. but inbetween there we had The Byrds album already mentioned and Subsequently Harrisons Debut album Wonderwall Music 1968 where Indian classical and folk music became much more than an interesting curiosity Well done, Mr Harrison I must say, he should be lauded for such an achievement.
Now where was I, Worderwall Music opened up a new way for George could let out a the creativity as a composer arranger, and producer.
I have read that the backing for “The Inner Light” that Jeff Lynne preforms here was in fact made during the Wonderwall sessions. George Harrison had a passion for fine solid grooves and intricate in his composing and Jeff Lynne takes it to new height because he has a certain sense for refinement.
Evering runs smoothly on disc two also, but the style is somewhat more Sub dued Jeff and Dhani joins my hero Mr Nightwatchman Tom Petty and The Heartbreakers to preform "Handle With Care” while it does show of distinctive presentation of classic song, this is good version when considering it was done without Bob Dylan and Roy Orbision . Tom Petty and the Heartbreakers has a refined rythmn guitar playing and a round going Lead sound, very reminscent of The Byrds, and one can only wonder where McGuinn was during this session? I know he recorded
"If I Need Someone" around the same time, it should have been his performance not Eric's
Just to set the record straight I am taken with awe for CD 1, words can not descrihe how much. It is worth infinite stars.
Disc 2 is not bad. As I said the mixing editomg production, makes things tun like a well oiled machine, thus you will not even notice that these are LIVE recordings (If we forget the audience)
Sir James Paul McCartney performs All Thing Must Pass, which feels a bit strange be cause As I remember it he never liked that song. I have heard when Bob Dylan sings Something from concert online somwhere, but McCartney does it here, it is easy listening in some sort of hotch potch, but with professional musicians, it is a sort of hit cavalcade. However the ethereal feel on disc 1 will never be topped.
Published
[Rating82612271]
iso4yl Jan 24 2009 5.00 stars
Although the video is really the way to go, this is still a fantastic listen. Echoing my comments from the video, this belongs in the time capsule with the rest of the Beatles material. It's that good, that definitive, that much in tune with what George was about. The music and vibe are of the highest order. George's spirit, and the care and love of those who were close to him, shine through every moment.
I like many projects George Harrison has been involved in. I remember myself seeing this when it was shown on Swedish Television, it was around the same time that I bought his début album Wonderwall Music and sophomore album Electronic Sound back then it was all produced by Harrison himself, who was eager and passionate about his projects. This 2-CD set produced by Jeff Lynne is a fitting tribute to George Harrison's musical contrbiution and to his outlook of the whole world. It is hard to rate the album of course but My main focus is on Disc one. Here we have a traditonal supplication two pieces composed by Ravi Shankar, and the inctricate, delicate “The Inner Light”. Jeff Lynne The Producer , is first to pick up the Mic, a does so with equal amount of effort and ease in a way that only he can do. The whole album is very good, but it is the Sublime nature of disc one that really submits a relaxing spiritual and ethereal feel to the listener in a way that the hit songs of Disc two never does in I had not thought that much about "The Inner Light", before that much maybe because for it was a none album single b-side, or maybe because it was from 1968, it was not from "My Beatles era" (1960-1962)
I hope you really will enjoy the cleanliness smooth composition of this whole production under Jeff Lynne's modest tewardship, a true gentle man. I do not know who picked out The Inner Light to be performed by Jeff this evening but The Performance is so great and so timid, modest at the same time. This shows first of the quality of the performer Jeff Lynne, his ability to take any performing role and deliever always at a 100% with the same sense for committment as with his own albums.
Those of you that got this album for Lynnes contributions will be pleased to see that his Cohorts Ryan Ulyete and Marc Mann are at it again with mixing and editing, As they did to great effect on the 12th ELO album Zoom (2001) and it's companion live DVD. Marc Mann plays guitar. It is also worth pointing out how gallantly George Harrison did take part in that said albums recording sessions, and it is to me the definite ELO album and with true touching state of the art of the production, such things are also important when one make an album of such eclectic character.They get it in order, with a special sense of warmth and a dominant feature being the mildness of the presentation all the way.
So it is now established that Ravi Shankar was a tremendous composer, artist even part of that delicate ethereal feel is in every single note is shown of here on his pieces as conducted by his daughter Anoushka.
I bought a boxed set,year or two ago Ravi Shankars 'Six classic Albums because Dave Crosby lead me in to this thing, if you have noticed with all back information provided from Fifth Dimension sessions, of how they listened to Shankar on one side of the tape and John Coltrane on the other, in there tour bus. Both Crosby and McGuinn were vocal about having Indian Raga rythmns and yantras in their sound without actually using Indian instruments, that is pretty brash there - that will I say and some of these efforts have helped other people here in the west to discover this kind of music also in its' purest form. When The Beatles started using sitar in 1965 on “This Bird Has Flown” it was mostely a curious artifact, quite like how Tremeloes used it on Proud Mary (Live at Cabaret) 1969. but inbetween there we had The Byrds album already mentioned and Subsequently Harrisons Debut album Wonderwall Music 1968 where Indian classical and folk music became much more than an interesting curiosity Well done, Mr Harrison I must say, he should be lauded for such an achievement.
Now where was I, Worderwall Music opened up a new way for George could let out a the creativity as a composer arranger, and producer.
I have read that the backing for “The Inner Light” that Jeff Lynne preforms here was in fact made during the Wonderwall sessions. George Harrison had a passion for fine solid grooves and intricate in his composing and Jeff Lynne takes it to new height because he has a certain sense for refinement.
Evering runs smoothly on disc two also, but the style is somewhat more Sub dued Jeff and Dhani joins my hero Mr Nightwatchman Tom Petty and The Heartbreakers to preform "Handle With Care” while it does show of distinctive presentation of classic song, this is good version when considering it was done without Bob Dylan and Roy Orbision . Tom Petty and the Heartbreakers has a refined rythmn guitar playing and a round going Lead sound, very reminscent of The Byrds, and one can only wonder where McGuinn was during this session? I know he recorded
"If I Need Someone" around the same time, it should have been his performance not Eric's
Just to set the record straight I am taken with awe for CD 1, words can not descrihe how much. It is worth infinite stars.
Disc 2 is not bad. As I said the mixing editomg production, makes things tun like a well oiled machine, thus you will not even notice that these are LIVE recordings (If we forget the audience)
Sir James Paul McCartney performs All Thing Must Pass, which feels a bit strange be cause As I remember it he never liked that song. I have heard when Bob Dylan sings Something from concert online somwhere, but McCartney does it here, it is easy listening in some sort of hotch potch, but with professional musicians, it is a sort of hit cavalcade. However the ethereal feel on disc 1 will never be topped.
Published
[Rating82612271]
iso4yl Jan 24 2009 5.00 stars
Although the video is really the way to go, this is still a fantastic listen. Echoing my comments from the video, this belongs in the time capsule with the rest of the Beatles material. It's that good, that definitive, that much in tune with what George was about. The music and vibe are of the highest order. George's spirit, and the care and love of those who were close to him, shine through every moment.
2 people found this helpful
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Karl Gill
5.0 out of 5 stars
Concert for George
Reviewed in Germany on May 5, 2016
Als Beatles Fan und insbesondere George Harrison , finde ich diese CD mehr als ein Nachruf an den verstorbenen George. Eine Ansammlung seiner besten Freunde der Musikgeschichte geben sich hier die Ehre. Ringo Starr , Sir Paul McCartney, Billy Preston ,Jeff Lynne , Tom Petty, Billy Preston, Joe Brown ,Gary Brooker und Eric Clapton der das ganze organisiert und grandios zur Vollendung zur dieser Cd beigetragen hat.
Die Auswahl der Musikstücke sind halt die bekanntesten von George Harrison obwohl ich persönlich andere Songs favorisiert hätte.. wie zum Beispiel "Art of Dying" ..Egal..im ganzen ein großartiges Album ..Tribut für George Harrison.. !!
Die Auswahl der Musikstücke sind halt die bekanntesten von George Harrison obwohl ich persönlich andere Songs favorisiert hätte.. wie zum Beispiel "Art of Dying" ..Egal..im ganzen ein großartiges Album ..Tribut für George Harrison.. !!
Paolo Maria Grossholz
5.0 out of 5 stars
Prodotto acquistato da voi
Reviewed in Italy on January 12, 2016
Il prodotto da voi fornito ha soddisfatto completamente le mie aspettative. Non ho rilievi da fare nè sul contenuto nè sulle modalità di consegna. Grazie!
wade
5.0 out of 5 stars
great purchase..what a dream setlist..
Reviewed in Canada on February 12, 2014
just when you think that you have heard the brillance of the beatles along comes this little gem ...that truly states that george harrison was a master songwriter and musician just as good as lennon/mcartney...with songs like isnt it a pity..and all things must pass sung by mccartney on this cd...what a treat this was to listen to..george was a simple man who loved everything other than being a rockstar!!!this cd shows every side of him..from the people who inspired him and the people who he inspired...loved it
U-vox
5.0 out of 5 stars
EMOTIVO HOMENAJE A HARRISON DE SUS AMIGOS
Reviewed in Spain on November 6, 2014
Un concierto emocionante donde se siente el cariño de los amigos a George, interpretando sus canciones. A destacar Jeff Lynne ( ELO ) quien en este concierto se ocupó mucho del resultado del sonido. Fantástica la interpretación de " My sweet Lord" por Billy Preston a los teclados y varias guitarras acústicas. Paul, Ringo...Eric Clapton...una pasada!! y Joe Brown poniendo la guinda en el pastel con el ukelele.