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The Mamas & the Papas - Greatest Hits
Remastered
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From the brand
Track Listings
1 | California Dreamin' |
2 | Go Where You Wanna Go |
3 | Monday, Monday |
4 | I Call Your Name |
5 | Do You Wanna Dance |
6 | I Saw Her Again |
7 | You Baby |
8 | Dancing Bear |
9 | Words of Love |
10 | No Salt on Her Tail |
11 | Look Through My Window |
12 | Dancing in the Street |
13 | Dedicated to the One I Love |
14 | Creeque Alley |
15 | Glad to Be Unhappy |
16 | Twist and Shout |
17 | Twelve Thirty (Young Girls Are Coming to the Canyon) |
18 | My Girl |
19 | Safe in My Garden |
20 | Dream a Little Dream of Me |
Editorial Reviews
Product Description
Neatly Coinciding with Their Induction Into the Rock 'N' Roll Hall of Fame This Spring, the Mamas and the Papas Greatest Hits Album (Released Over a Decade Ago), Has Now Undergone a Complete Overhaul Both Sonically and Visually to Re-Introduce the Pop-Rock Quartet to the Public. Features 14 Chart Hits Including 6 Top 10 Classics: "Monday Monday (#1)," "California Dreamin'," "Dedicated to the One I Love," "I Saw Her Again," "Words of Love" and "Creeque Alley."
Amazon.com
The Mamas and the Papas had a sound that helped define a portion of the 1960s. Their breezy folk classics had a bit of San Francisco psychedelia woven in, and, despite the sweet harmonies, there was also a noticeably dark feel to some of their more popular work. "California Dreamin'" and "Monday, Monday" both utilized enough minors to give them a spooky edge. Greatest Hits is an essential part of any audiophile's collection, especially if they don't have the original recordings that spawned the hits. "Dedicated to the One I Love" is almost ironic for its tenderness, considering the turmoil that rumbled through the band's interrelationships. While John and Michelle Phillips and Denny Doherty were all responsible for the success of the Mamas and the Papas, listening to this collection reveals that the late great Mama Cass was not only the heart but the soul of the band. Greatest Hits closes with her "Dream a Little Dream of Me," and serves as a touching tribute to Cass Elliot's talent. --Steve Gdula
Product details
- Is Discontinued By Manufacturer : No
- Language : English
- Product Dimensions : 4.88 x 5.63 x 0.55 inches; 3.17 ounces
- Manufacturer : Geffen
- Item model number : 1972294
- Original Release Date : 1998
- Date First Available : December 7, 2006
- Label : Geffen
- ASIN : B0000062XS
- Number of discs : 1
- Best Sellers Rank: #2,357 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #47 in Pop Oldies
- #69 in Folk Rock (CDs & Vinyl)
- #199 in Classic Rock (CDs & Vinyl)
- Customer Reviews:
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Getting out of that hole wasn't easy, but seeing a set of tree roots, I took off my belt, threw it up until the buckle fastened to one of its sturdier lines, climbed up along the edge of the inner walls until I was high enough to reach another branch-like extension. Grabbing a hold of it, I climbed up until I could reach the rim at the top of the hole.
To my surprise there was something completely different on the other side. As I pulled myself up, I was in a different neighborhood now. The streets were slanted by large, steep hills, and Victorian houses with bright rainbow colors flanked both sides of the street. I looked down, and it appeared without any evidence of metal, I had climbed out of a man hole while the nearest tree in sight was several yards away. At my near right was a girl sitting at what looked like a lemonade stand. She was wearing a Victorian-style dress, had long blonde hair, and wore a little lapel button that read "Alice" on it. On the front of her rustic, wobbly framed stand was a white sign with lettering that made me wince. With neon pink paint was written, "Electric Kool-Aide 10 Cents a Glass".
"Would you like a glass?" she asked me. I hesitated. I was slacked for thirst, and realized I had left my water bottle back in the hole. "I could give you a free sample," she prodded, but I looked at a folded paper sign that she had on her stand where "Drink Me" was written in day-glo blue letters with an equally luminous smiley face drawn on it. Attached to the smile was painted a long, blue electrical chord that went to a mini picture of a wall outlet--same color. It was just below a large pitcher of that sugary red kiddie punch with half-melted ice cubes floating on top and sweat dripping along the outside of its volcanic shaped sides. In the front I noticed a familiar smiley face etched in its foundation. Except as I looked more closely, I noticed the smile wasn't a smile at all, but a grin turned terrible with eyebrows that gave the facial features a sinister appearance.
`Where did you get that?' I asked in quiet horror. Seeing I was gazing at her pitcher, she replied, "My sister gave it to me. It's a joke. Don't you get it? It's like have a bad day. It's just supposed to be funny." I was partly relieved; for having thought I fell into a time warp, I now thought maybe the pitcher was taken from a Bon Jovi C.D. cover.
`No thank you.' I said absently even as I swallowed with a dry throat. Just then I heard singing. Beautiful singing. Heavenly singing. I mean women and men making a siren's cry all around me. I was seduced by the sounds of harmonies that blended, but became more sonorous as it came near me. The sounds were coming from the left of where I first stood from the hole. Then at the top of the sidewalk to my left I saw two couples walking down the hill towards us. There was a tall guy with a furry, Russian hat and a pencil-thin moustache. Then there was a young woman next to him with thin, blonde hair wearing periwinkle in her long locks. Diagonally behind them was another couple. A man with an oval face and dark, Beatle-cut hair was just behind them with another woman beside him. I started to notice that I heard her voice most distinctively of the whole group. She was a large woman with long, dark hair. At first the sound came as a burst, but then it became more distinct. They were singing "California Dreamin,'" and I was indeed in San Francisco in what had to be 1966 or 1967. John, Cass, and Denny were alive and well, and Michelle was quite young and with them, singing along the way.
I was enraptured as they came nearer to us. I felt a seductive wall-of-sound envelop me as I forgot my stiffness and my thirst. As they came toward us, they locked eyes with me, and I couldn't help but stare at them. They turned their eyes from me and looked at Alice, and, undoubtedly John, smiled at her and asked her for a glass to drink. He eyed me a little more warily, for it isn't polite to stare; I know this.
With my mouth slightly agape, I blurted out, 'Do "Twelve-thirty"! Do "Twelve-thirty"!' "Do you mind?" John reproached me gently. "We need this stuff right now." 'Oh, sure,' I said feeling a little idiotic.
"What's 'Twelve-thirty?'" It was Mama Cass who turned and asked me this. "I mean who's it by? Who sings that one?" I stumbled a little, feeling the hairs on my neck stand up as I realized that song hadn't been invented yet. `I don't know,' I blurted out stupidly. `I was hoping you might know it...It's my favorite song.'
"Sing a few bars for us," said Denny. Between my nervous infatuation with the band and my dry throat, I croaked out the words in a nearly tuneless monotone.
"Interesting concepts there," said John.
"I think it needs a little work," offered Michelle in an off-hand way.
"It's really your own song, isn't it?" asked John. I tried to speak, but John put his hand up to silence me. "It's all right," he said with a disconcerting smile. "We get that all the time." After a brief pause he added, "It's not bad; it just needs an extra verse or two." By then I admit I felt a little dizzy.
"Will you be joining us?" Cass asked me lifting up a glass like she was giving a toast.
`No, thank you,' to which when they looked at me curiously, `I'm a diabetic,' I lied to save face.
As they slacked their thirst, they started to walk down the sidewalk. People were starting to do the same on both sides of the street as interest was picking up about their new visitors, who, if memory served me correctly, resided somewhere around L.A.
I couldn't hear what they were saying as they left, but as they were talking, I heard Cass start to hum a lingering melody. After a few bars, I recognized it. It was "Dream a Little Dream of Me." As they walked, I noticed John started to wince at the sight of the nearby houses. It looked like they made his eyes hurt.
I knew out of necessity I had to go back to the hole. Still, the timelessness of their music rushed back to me: "Monday, Monday," "I Saw Her Again," "Go Where You Want to Go," the ethereal "Look Through My Window," the idiosyncratic "Dancing Bear," and the funny, self-effacing, "Creeque Alley". Ah, I was so refreshed; maybe I didn't need a drink, after all, as a cool breeze came from the Bay to hit my sweaty face.
Just before I left I saw another familiar face up the street. A little boy, looking no older than seven, had a round head with red hair and plastic, black rimmed glasses. "Come here, Mister; my lemonade doesn't have sugar. It has saccharine instead," he said confidently. I felt my thirst return, so I went across the street and a bit to the left to his lemonade stand. He had a similar set-up, but he had a yellowish-green figure on his banner that looked like Buddah and a caption that read in neon-green letters, "It's Bad Karma to Steal Lemonade."
'What's it got in it?' I asked apprehensively.
"Only the freshest lemons, water, and, of course, no sugar." He looked at me eagerly as he pushed up his glasses, and then added proudly, "I have a corner on the market for people who are on a diet."
I paid just a nickel, which I fortunately had because I seldom carry cash, and I looked at the boy who had a huckster smile if there ever was one.
"Would you like to buy my special of ten glasses for forty cents?" he asked smugly. I grimaced, and being a little tired of the displacement chided, 'You sure are a precocious little boy, aren't you?' The boy looked a little dour and a little hurt. After a little pause, he smiled again and said, "When I grow up I'm going to be a writer." After that offhand announcement, a lizard came out of nowhere and walked across the top of his lemonade stand. I was so startled, I nearly spilled my glass of lemonade. "I want to write because of people like you," he added without a trace of petulance. "I'm going to try to make this world a better place." I immediately regretted my calloused remark, and said amiably, 'Thanks for the offer, but no thanks.'
After I drained the liquid down my parched throat, I felt friendly again. `Where did you get the gila monster?' I asked.
"Oh, it's no gila monster. That there is my pet dragon." I smiled at him warmly, pleased that he seemed to at least have the imagination of someone his age. 'What's his name,' I asked, 'Puff?' and started to laugh. He looked down and a little perturbed like I had asked something he didn't understand. "He doesn't have a name--not yet."
He readjusted his glasses, then asked, "What's your name, mister?"
'You can call me J.P.' I said amiably.
"Nice to meet you, Mister J.P. My name's Eddie."
`Eddie?' I said stupidly.
"Eddie--or you can call me `Metamorpho`, that`s my nickname."
And just then, I was transfixed by the eyes of the dragon. For indeed that's just what the little lizard was. As his eyes glowed with a hot, red glare, I was hypnotized into a trance. After some spinning that made me feel more dizzy, I felt myself float...rise above the ground, and found myself suspended in the air. I found myself traveling, and instead of ending up on the warm, sunny footpath of the outdoor trail, I was transplanted to my computer monitor, where I just had to write down and tell you this incredible tale...
Top reviews from other countries
In modo enfatico viene esaltato l'effetto stereo della netta separazione di voci e di suoni a due vie. Tuttavia "Stereofonia" non significa necessariamente "Alta Fedeltà" e la qualità fonica (suoni e voci) non è omogeneamente elevata: si tratta, comunque, di brani registrati in origine verso la fine degli anni '60.
All'ascoltatore non mancheranno sorprese, poiché si troverà ambientato nel gusto di ascolto dello scadere degli anni novanta.
Il missaggio eccelle per il primo brano, (California dreamin') che trasmette sensazioni inusitate (forse troppo giovanili). I brani successivi non sono allo stesso livello di intervento manipolativo ma possono comunque compiacere.
Consigliato.